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Ecuador, the non-communication: Postdrama or performance?: (The chaos order in Ecuador’s communication and culture)
Conference ObjectAbstract: When it comes to tackling the main difference between “postdrama” and “performance” based on architePalabras claves:(Non)communication, Ecuador identity, Order in chaos, Postdrama and performanceAutores:Aldo Romero-Ortega, Miguel Ángel OrosaFuentes:scopusEcuador: The popular liturgical and festive origins of the Latin American indigenous post-drama and its specific conflict : Arisons with the Spanish and European post-drama
Conference ObjectAbstract: Through the most important secular and religious festivities in Ecuador, this paper explores the popPalabras claves:Conflict, ECUADOR, Indigenism, Indigenous Latinamerican post-drama, Latin America, origins, Post-dramatic culture in the Spanish language, post-theatre in Latin AmericaAutores:Ana Magali Culqui Medina, Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusLatin american indigenous post-drama architectures from an andean perspective revisited
Conference ObjectAbstract: Throughout this paper we will analyze the deep organizations of the Latin American indigenous post-dPalabras claves:Latin American indigenous post-drama, Post-dramatic culture in the Spanish language, Western drama, Western post-dramaAutores:Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusTransformation of Andean Cinema in Latin America: Identity and Prostdrama
Conference ObjectAbstract: The object of this research focuses on the cinematography of the Andean countries (Ecuador, BoliviaPalabras claves:Andean cinematography, Andean postdrama, Cinema Ecuador Bolivia Peru, Identity and postdrama in the Andean cinemaAutores:Jose Ángel Fernández-Holgado, Miguel Ángel Orosa, Santiago F. Romero-EspinosaFuentes:scopusTwenty-First Century Trends and International Cross-Cultural Perspective: Cultural Hybridizations and Narrative-Dramatic-Cinematographic Fusions Between Europe and Latin America. The Case of Kiro Russo (Cinematography) and Rodrigo García (Literature)
Conference ObjectAbstract: In a century where diverse group identities surpass any kind of frontier and seem to be reflected evPalabras claves:(Post-)dramatic trends of the twenty-first century in film and literature, Cultural hybridizations between Europe and Latin America, Narrative-dramatic-cinematographic technical fusionsAutores:Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusTwenty-First Century Trends and International Cross-Cultural Perspective: The Post-dramatic TV Series Model in the United States vs. Spain’s Neoclassical Hesitancy in Television Serial Fiction
Conference ObjectAbstract: At the beginning of a scientific chapter addressing the new artistic-dramatic trends of the twenty-fPalabras claves:(Post-)dramatic trends of the twenty-first century in TV fiction, North American post-drama TV series, Twenty-first century TV series in SpainAutores:Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusUSA TV series postdrama: Poetics and composition
ArticleAbstract: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fictPalabras claves:(Post)dramatic change, American TV series, New (post)dramatic paradigm, Postdrama, Spanish BaroqueAutores:Carmelo Márquez-Domínguez, Miguel Ángel Orosa, Mónica López-Golán, Yalitza Therly Ramos-GilFuentes:scopusPostdrama communication in spanish language: Ecuador and spain. origins and current scene. the indigenous postdrama. (la flor de la chukirawa, by patricio vallejo aristizábal, and gólgota picnic, by rodrigo garcía)
ArticleAbstract: Post-theater communication in Spain and Ecuador in our present day, common notes and also dissimilarPalabras claves:Dramatic and post-dramatic paradigm, Middle Ages theatre, Post-dramatic culture in Spanish language, Post-dramatic indigenous communicationAutores:Ana Magali Culqui Medina, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusPostdrama culture in Ecuador and Spain: Methodological framework and comparative study
ArticleAbstract: This paper is based on a neo-functionalist constructivist theory, allowing us to understand that diaPalabras claves:Andean culture, Artivism, Artivismo, cultura, CULTURA ANDINA, DRAMA, Identidad, Identity, INDIGENOUS CULTURE, Participacion, PARTICIPATION, Posdrama, Post-theater, Postdrama, PosteatroAutores:Miguel Ángel Orosa, Paulo Carlos López-LópezFuentes:scopusTWENTY-FIRST CENTURY TENDENCIES: CHARACTERS, CONFRONTATION AND FREEDOM IN THE US TELESERIAL POST-DRAMA (Cultural hybridizations with Spanish-language dramatic culture)
ArticleAbstract: The purpose of the ensuing research is to highlight the patterns of the transformations that have taPalabras claves:North American post-drama TV series, Spanish-language dramatic culture Post-dramatic trends of the twenty- first century in TV fiction, Twenty-first century TV series in the U.S., U.S. TV seriesAutores:Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopus