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Postdrama communication in spanish language: Ecuador and spain. origins and current scene. the indigenous postdrama. (la flor de la chukirawa, by patricio vallejo aristizábal, and gólgota picnic, by rodrigo garcía)
ArticleAbstract: Post-theater communication in Spain and Ecuador in our present day, common notes and also dissimilarPalabras claves:Dramatic and post-dramatic paradigm, Middle Ages theatre, Post-dramatic culture in Spanish language, Post-dramatic indigenous communicationAutores:Ana Magali Culqui Medina, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusPostdrama culture in Ecuador and Spain: Methodological framework and comparative study
ArticleAbstract: This paper is based on a neo-functionalist constructivist theory, allowing us to understand that diaPalabras claves:Andean culture, Artivism, Artivismo, cultura, CULTURA ANDINA, DRAMA, Identidad, Identity, INDIGENOUS CULTURE, Participacion, PARTICIPATION, Posdrama, Post-theater, Postdrama, PosteatroAutores:Miguel Ángel Orosa, Paulo Carlos López-LópezFuentes:scopusTWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)
ArticleAbstract: This article aims to study the main patterns of contemporaneity in the field of stage writing, especPalabras claves:Film and (post)dramatic change, Film and contemporaneity, Film scriptwriting in Spain, New (post)dramatic paradigm, Patterns of scenic writings of the 21st centuryAutores:Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopus