Documentos de Miguel Ángel Orosa

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Mostrando 8 resultados de: 8

Ecuador, the non-communication: Postdrama or performance?: (The chaos order in Ecuador’s communication and culture)

Conference Object

Abstract: When it comes to tackling the main difference between “postdrama” and “performance” based on archite

Palabras claves:

(Non)communication, Ecuador identity, Order in chaos, Postdrama and performance

Autores:

Aldo Romero-Ortega, Miguel Ángel Orosa

Fuentes:

scopus

Ecuador: The popular liturgical and festive origins of the Latin American indigenous post-drama and its specific conflict : Arisons with the Spanish and European post-drama

Conference Object

Abstract: Through the most important secular and religious festivities in Ecuador, this paper explores the pop

Palabras claves:

Conflict, ECUADOR, Indigenism, Indigenous Latinamerican post-drama, Latin America, origins, Post-dramatic culture in the Spanish language, post-theatre in Latin America

Autores:

Ana Magali Culqui Medina, Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-Ligña

Fuentes:

scopus

Latin american indigenous post-drama architectures from an andean perspective revisited

Conference Object

Abstract: Throughout this paper we will analyze the deep organizations of the Latin American indigenous post-d

Palabras claves:

Latin American indigenous post-drama, Post-dramatic culture in the Spanish language, Western drama, Western post-drama

Autores:

Miguel Ángel Orosa, Viviana Noemí Galarza-Ligña

Fuentes:

scopus

Postdrama communication in spanish language: Ecuador and spain. origins and current scene. the indigenous postdrama. (la flor de la chukirawa, by patricio vallejo aristizábal, and gólgota picnic, by rodrigo garcía)

Article

Abstract: Post-theater communication in Spain and Ecuador in our present day, common notes and also dissimilar

Palabras claves:

Dramatic and post-dramatic paradigm, Middle Ages theatre, Post-dramatic culture in Spanish language, Post-dramatic indigenous communication

Autores:

Ana Magali Culqui Medina, Miguel Ángel Orosa, Viviana Noemí Galarza-Ligña

Fuentes:

scopus

Postdrama culture in Ecuador and Spain: Methodological framework and comparative study

Article

Abstract: This paper is based on a neo-functionalist constructivist theory, allowing us to understand that dia

Palabras claves:

Andean culture, Artivism, Artivismo, cultura, CULTURA ANDINA, DRAMA, Identidad, Identity, INDIGENOUS CULTURE, Participacion, PARTICIPATION, Posdrama, Post-theater, Postdrama, Posteatro

Autores:

Miguel Ángel Orosa, Paulo Carlos López-López

Fuentes:

scopus

TWENTY-FIRST CENTURY TENDENCIES: CHARACTERS, CONFRONTATION AND FREEDOM IN THE US TELESERIAL POST-DRAMA (Cultural hybridizations with Spanish-language dramatic culture)

Article

Abstract: The purpose of the ensuing research is to highlight the patterns of the transformations that have ta

Palabras claves:

North American post-drama TV series, Spanish-language dramatic culture Post-dramatic trends of the twenty- first century in TV fiction, Twenty-first century TV series in the U.S., U.S. TV series

Autores:

Miguel Ángel Orosa, Viviana Noemí Galarza-Ligña

Fuentes:

scopus

Twenty-First Century Trends and International Cross-Cultural Perspective: Cultural Hybridizations and Narrative-Dramatic-Cinematographic Fusions Between Europe and Latin America. The Case of Kiro Russo (Cinematography) and Rodrigo García (Literature)

Conference Object

Abstract: In a century where diverse group identities surpass any kind of frontier and seem to be reflected ev

Palabras claves:

(Post-)dramatic trends of the twenty-first century in film and literature, Cultural hybridizations between Europe and Latin America, Narrative-dramatic-cinematographic technical fusions

Autores:

Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-Ligña

Fuentes:

scopus

Twenty-First Century Trends and International Cross-Cultural Perspective: The Post-dramatic TV Series Model in the United States vs. Spain’s Neoclassical Hesitancy in Television Serial Fiction

Conference Object

Abstract: At the beginning of a scientific chapter addressing the new artistic-dramatic trends of the twenty-f

Palabras claves:

(Post-)dramatic trends of the twenty-first century in TV fiction, North American post-drama TV series, Twenty-first century TV series in Spain

Autores:

Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-Ligña

Fuentes:

scopus

Mostrando 8 resultados de: 8

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Palabras Claves

Ecuador, the non-communication: Postdrama or performance?: (The chaos order in Ecuador’s communication and culture)

Ecuador: The popular liturgical and festive origins of the Latin American indigenous post-drama and its specific conflict : Arisons with the Spanish and European post-drama

Latin american indigenous post-drama architectures from an andean perspective revisited

Postdrama communication in spanish language: Ecuador and spain. origins and current scene. the indigenous postdrama. (la flor de la chukirawa, by patricio vallejo aristizábal, and gólgota picnic, by rodrigo garcía)

Postdrama culture in Ecuador and Spain: Methodological framework and comparative study

TWENTY-FIRST CENTURY TENDENCIES: CHARACTERS, CONFRONTATION AND FREEDOM IN THE US TELESERIAL POST-DRAMA (Cultural hybridizations with Spanish-language dramatic culture)

Twenty-First Century Trends and International Cross-Cultural Perspective: Cultural Hybridizations and Narrative-Dramatic-Cinematographic Fusions Between Europe and Latin America. The Case of Kiro Russo (Cinematography) and Rodrigo García (Literature)

Twenty-First Century Trends and International Cross-Cultural Perspective: The Post-dramatic TV Series Model in the United States vs. Spain’s Neoclassical Hesitancy in Television Serial Fiction