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Smart Innovation, Systems and Technologies(3)
Human Review. International Humanities Review / Revista Internacional de Humanidades(1)
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Ecuador: The popular liturgical and festive origins of the Latin American indigenous post-drama and its specific conflict : Arisons with the Spanish and European post-drama
Conference ObjectAbstract: Through the most important secular and religious festivities in Ecuador, this paper explores the popPalabras claves:Conflict, ECUADOR, Indigenism, Indigenous Latinamerican post-drama, Latin America, origins, Post-dramatic culture in the Spanish language, post-theatre in Latin AmericaAutores:Ana Magali Culqui Medina, Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusTwenty-First Century Trends and International Cross-Cultural Perspective: Cultural Hybridizations and Narrative-Dramatic-Cinematographic Fusions Between Europe and Latin America. The Case of Kiro Russo (Cinematography) and Rodrigo García (Literature)
Conference ObjectAbstract: In a century where diverse group identities surpass any kind of frontier and seem to be reflected evPalabras claves:(Post-)dramatic trends of the twenty-first century in film and literature, Cultural hybridizations between Europe and Latin America, Narrative-dramatic-cinematographic technical fusionsAutores:Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusTwenty-First Century Trends and International Cross-Cultural Perspective: The Post-dramatic TV Series Model in the United States vs. Spain’s Neoclassical Hesitancy in Television Serial Fiction
Conference ObjectAbstract: At the beginning of a scientific chapter addressing the new artistic-dramatic trends of the twenty-fPalabras claves:(Post-)dramatic trends of the twenty-first century in TV fiction, North American post-drama TV series, Twenty-first century TV series in SpainAutores:Daqui Lema, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusPostdrama communication in spanish language: Ecuador and spain. origins and current scene. the indigenous postdrama. (la flor de la chukirawa, by patricio vallejo aristizábal, and gólgota picnic, by rodrigo garcía)
ArticleAbstract: Post-theater communication in Spain and Ecuador in our present day, common notes and also dissimilarPalabras claves:Dramatic and post-dramatic paradigm, Middle Ages theatre, Post-dramatic culture in Spanish language, Post-dramatic indigenous communicationAutores:Ana Magali Culqui Medina, Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusTWENTY-FIRST CENTURY TENDENCIES: CHARACTERS, CONFRONTATION AND FREEDOM IN THE US TELESERIAL POST-DRAMA (Cultural hybridizations with Spanish-language dramatic culture)
ArticleAbstract: The purpose of the ensuing research is to highlight the patterns of the transformations that have taPalabras claves:North American post-drama TV series, Spanish-language dramatic culture Post-dramatic trends of the twenty- first century in TV fiction, Twenty-first century TV series in the U.S., U.S. TV seriesAutores:Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusTWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)
ArticleAbstract: This article aims to study the main patterns of contemporaneity in the field of stage writing, especPalabras claves:Film and (post)dramatic change, Film and contemporaneity, Film scriptwriting in Spain, New (post)dramatic paradigm, Patterns of scenic writings of the 21st centuryAutores:Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopusThe (Post-)theatre of the Twenty-First Century in Spain and the North American Post-drama TV Series: A Political, Historic and Comparative Research. Playwrights, Patterns and All-Embracing Point of View
Conference ObjectAbstract: The aim of this paper is to do a political research (polis: the city, the culture, the homeland) aboPalabras claves:21st century post-theatre in spain, North American post-drama TV series, Post-dramatic culture in the Spanish languageAutores:Collado-Campaña F., Miguel Ángel Orosa, Viviana Noemí Galarza-LigñaFuentes:scopus