Epistemología de la imagen de Tokio, personaje femenino en la serie La Casa de Papel.

Abstract:

This article analyzes the audiovisual narratives of the female character Tokio, in the series La Casa de Papel, which identifies Tokio as the contemporary heroine woman who manages to break with gender roles, and her performance does not generate a greater spectacle in her behavior, but rather it becomes naturalized through the screen. What it intends is to analyze the heroic female representations in television series on streaming platforms. The audiovisual narrative functions of the female character Tokio, identify domains of the character that allow decision-making according to the type of situation that occurs at the time. In which she expresses an audiovisual language of how to spread and express emotions that makes it relevant. This line of research, Communication, languages and content structuring, will be carried out based on several episodes of the Series “la Casa de Papel”, as well as for the analysis of the changes in the narratives of the audiovisual language on streaming platforms. that shows a convergent television, between the traditional screen and internet screens. The narrative of the series La Casa de Papel, presents the representations of the female character Tokio, which the character acquires a heroine construction, through the audiovisual language and communication of the character. In which she tries to broadcast her to eliminate gender roles in the television industry via streaming.

Año de publicación:

2021

Keywords:

• Comunicación social
• LA CASA DE PAPEL
• IMAGEN
• EPISTEMOLOGÍA
• SERIE DE TELEVISIÓN

Fuente:

rraae