Essay on the decomposition and recomposition of images, texts and sounds in Le Gai Savoir (Jean-Luc Godard, 1968)

Abstract:

The subject of this piece is the analysis of the critical device of decomposition-recomposition of images, texts and sounds in Le Gai Savoir (1968) by Jean-Luc Godard, in light of Julia Kristevás textual practices, Jacques Derrida's deconstruction, Gilles Deleuze's theory of the difference, and through the use of two critical concepts forged for this article: Stammering and Dissidance.

Año de publicación:

2014

Keywords:

• Kristeva
• Image
• Deleuze
• Godard
• Derrida

Fuente:

scopus

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