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Otredades en el discurso fotográfico de autores contemporáneos.

Abstract:

This paper proposesthrough convergence between semiotics and hermeneutics, the basic guidelines for the creation of a complex analytical model in order to interpret the photographical system considered as a communicative –multidimensional phenomenon among other ledges–, applied to the generation of a non-linear dynamic conception of the photographic discourse –displayed by the photographic image–, in its stages of production and consumption as genesics interpretative conditions and affirmative legitimating of the otherness in the comunication context. For this purpose, it is propounded to make complex the photographic discourse through the recovery of the subject in its communicative interaction with otherone. On this way, the relation between the photographer subject as Mismidad and the photographed subject as Otredad is considered as the direct dialogical axis in the production of every photographic image. Recognized and validated this relationship, it is introduced an analog or indirect axis interpreter/photographer and the photographed subject in the instance of consumption of the photographic image to structure the bases of the proposed interpretative system. Only then both stages of production and consumption project together new discursive horizons in the interpretive act, with the ultimate aim of become effective in the application of the model to three study cases.