The logos relapse into a myth and the salvific myth of European modernity

Abstract:

This work refers to the transition from the myth to the logos,taking into account certain considerations of the Dialectic of the Illustration; however, it does not concentrate on a detailed analysis of its subject matter, but it departs from it to reflect on the transit of the logos to the illustrated myth of the reason within the historical conditions of a “discovered” America; also, it considers the hypothesis that the origin of the illustrated myth of the LatinAmerican modernity is articulated around the notions of reason, progress and salvation within the perspective of showing a possible “coincidence” between the Dialectic of the Illustration (Max Horkheimer and Theodor W. Adorno) and the Critic of the Modernity “myth” (Enrique Dussel).

Año de publicación:

2019

Keywords:

Fuente:

rraae