Documentos de DAVIS JIM | REDI

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Área de conocimiento: "Estudios culturales"

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Cambridge University Press(12)

SAGE Publications(4)

Oxford University Press(2)

Palgrave Macmillan UK(2)

Área temáticas

Representaciones escénicas(19)

Actuaciones públicas(8)

Cultura e instituciones(6)

Historia, descripción y crítica(5)

Área de conocimiento

Artes escénicas(21)

Historia de los Estados Unidos(5)

Artes visuales(3)

Crítica literaria(1)

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Colonial Experience: English Comedians in Australia in the Nineteenth Century

Abstract: HROUGHOUT the nineteenth century Australia was plagued or blessed, according to one's point ofview,

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British bravery, or tars triumphant: Images of the British navy in nautical melodrama

Abstract: In recent years, melodrama has increasingly been recognized not only as an important element in popu

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A Selection of Recent Publications on Theatre and Performance in or Related to the Long Nineteenth Century

Abstract: A Selection of Recent Publications on Theatre and Performance in or Related to the Long Nineteenth C

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Afterword: the cannibalisation of Sweeney Todd

Abstract: On commencing this paper on Sweeney Todd I checked a number of general histories to see if this part

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Festive irony: aspects of British theatre in the 1980s

Abstract: Two memorable British theatrical productions of the 1980s were The Life tures of Nicholas Nickleby (

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First Bouquets, Big Heads and Obstinate Horses: Illustrating the Victorian Pantomime

Abstract: This paper explores the ways in which different illustrated periodicals mediated the English Christm

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Experiencing Melodrama, Imagining Audiences: Perspectives on the Representation of the Melodrama Spectator

Abstract: This article considers representations of melodrama audiences by Louis-Léopold Boilly and Honoré Dau

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Disrupting the quotidian: hoaxes, fires, and non-theatrical performance in nineteenth-century London

Abstract: In this essay Jim Davis considers two examples of everyday non-theatrical performance in nineteenth-

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New Views of Cheap Theatres: Reconstructing the Nineteenth-Century Theatre Audience

Abstract: Our views about nineteenth-century London theatre audiences are often dominated by essentialist desc

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Part Four:‘Theatrical Tourists’ and the West End

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