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Collins and the Theatre
OtherAbstract:Palabras claves:Autores:DAVIS JIMFuentes:googleBritish bravery, or tars triumphant: Images of the British navy in nautical melodrama
OtherAbstract: In recent years, melodrama has increasingly been recognized not only as an important element in popuPalabras claves:Autores:DAVIS JIMFuentes:google" Actresses as Working Women" by Tracy C. Davis (Book Review)
OtherAbstract: Tracy C. Davis, Actresses as Working Women: Their Social Identity in Victorian Culture (London: RoutPalabras claves:Autores:DAVIS JIMFuentes:google" Pinero: A Theatrical Life" by John Dawick (Book Review)
OtherAbstract: John Dawick Pinero: A Theatrica Life (Colorado: University Press of Colorado, 1993). Sir Arthur WingPalabras claves:Autores:DAVIS JIMFuentes:google" Plays by Charles Reade" ed. Michael Hammet (Book Review)
OtherAbstract: Charles Reade is largely remembered today for a not very memorable novel, The Cloister and the HeartPalabras claves:Autores:DAVIS JIMFuentes:googleCritical Essays on European Theatre Performance Practice: 4-Volume Set
OtherAbstract: This series of volumes provides access to a compendium of the best and most significant scholarshipPalabras claves:Autores:DAVIS JIMFuentes:googleFreaks, Prodigies, and Marvellous Mimicry: Child Actors of Shakespeare on the Nineteenth-Century Stage
OtherAbstract: Two cultural icons of the nineteenth century—Shakespeare and childhood—came together on the nineteenPalabras claves:Autores:DAVIS JIMFuentes:googleExperiencing Melodrama, Imagining Audiences: Perspectives on the Representation of the Melodrama Spectator
OtherAbstract: This article considers representations of melodrama audiences by Louis-Léopold Boilly and Honoré DauPalabras claves:Autores:DAVIS JIMFuentes:googleDisrupting the quotidian: hoaxes, fires, and non-theatrical performance in nineteenth-century London
OtherAbstract: In this essay Jim Davis considers two examples of everyday non-theatrical performance in nineteenth-Palabras claves:Autores:DAVIS JIMFuentes:googleLives of Shakespearian actors II: Edmund Kean, Sarah Siddons and Harriet Smithson by their contemporaries
OtherAbstract: During the eighteenth century, theatrical writing developed as a genre. The publishing market responPalabras claves:Autores:DAVIS JIMFuentes:google